These may seem like every day features nowadays but this certainly wasn’t always the case. However, the same values that were present in the first Marshalls are still here today. That is, solid workmanship, reliability, stylish looks and above all great Marshall tone. The TSL100 and TSL122 are our latest all valve amplifiers and as such are really direct descendants of our classic all valve amps. Combining all of the aforementioned values plus a few extra attributes such as versatility, switchab

3 ENGLISH (please refer to diagram C, Page 28) LEAD CHANNEL 1. Mode Select To access the Lead channel - both front panel ‘mode select’ pushswitches must be pushed in (with or without the foot controller connected). If using the foot controller press the Lead switch. The Lead LED (red) on the front panel and on the foot controller will now be illuminated. FUNCTIONS As you can see the control line up in the ‘Lead’ mode is identical to the ‘Crunch’ mode, except now you are using the other row of co

My own musical career started as a singer and moved shortly afterwards into the world of drumming. As well as playing drums professionally I also taught a vast number of drummers, many of whom went onto become professional drummers in their own right. I began building Marshall guitar amplifiers in 1962 and have been doing so ever since. Throughout this time I have met many different musicians, of all levels and of all abilities and not just guitarists. It is by listening to these musicians that

72Cable: RGB-5HD15-X (X = Length in feet 6, 10, 15, 20) V-CB1 Desktop Stand V-CRM-2 2U (1.75” tall) Conversion and Distribution 3 Module Bracket.Up to three Marshall Electronics 4.75” wide conversion or distribution modules can be securely installed into a standard EIA 19 inch rack with the V-CRM-3 mounting bracket. Every V-CRM-3 includes two blank panels for a clean cosmetic appearance. V-CRM-3 Single RU (1.75” tall) Conversion and Distribution 2 Module Bracket.Two Marshall Electronics 7.72” wi

When using an external effects processor this will control the amount of effected signal, as it dictates the amount of signal to the Effects Send on the rear panel. Note - this will be affected by the Effect Return control (item 28) and the Master Reverb control (item 29). 3, 8, 13, 20 & 25. Mid Controls the middle frequencies on Channel 1, 2, 3, 4 and 5 respectively. 4, 9, 14, 21 & 26. Vol Controls individual volume level for Channel 1, 2, 3, 4 and 5 respectively. Overall volume will be governe

A clean microfiber cloth can also be used using only non-abrasive and ammonia-free cleaning agents. Do not use paper towels. Paper towel fibers are coarse and may scratch the surface of the polycarbonate faceplate or leave streaks on the surface. Antistatic and fingerprint resistant cleaning agents are recommended. Do not apply excessive pressure to the screen to avoid damaging the LCD. ¦ Faceplate Dusting Dust the unit with a soft, damp cloth or chamois. Dry or abrasive cloths may cause electro

Channel 2 7. Mic Input XLR Unbalanced low impedance for microphone input. 8. Left / Mono Jack This is for either a mono input or the left side of stereo input if item 9 is used as well. This is a high impedance unbalanced input. Typical uses of Line Inputs are Keyboards, drum machines and sequencers. 9. Right Jack For use with the right side of a stereo input when used in conjunction with item 8. This is a high impedance unbalanced input. 10. Volume Controls individual volume level for channel 2