Adjust the signal output levels of the face and each rim, according to the instructions given in [How to adjust the input level] on p.36. This adjustment reduces sounds from the unused faces to the minimum. 9 ividKiny m nnyinm iviacnine vvotk ms m oouna 2 Making A Rhythm Machine Work As A Sound Source The PM-16 is an instrument designed to use MIDI sound sources via electronic drum pads (such as the PD—11, 21, and 31, which arc optional). When you use the TR-505, the TR-707, or the TR-727 as your MIDI sound source, you can use the factory presets (which are the settings made at the factory) to more easily set—up your sounds. If you change the settings or pul a different selling into memory, the factory preset can be easily recalled by carrying out the following operation. [Recalling the Factory Presets] Step 1 Turn the power OFF. Step 2 While holding the number keys 1 and 2 down, turn the power back ON. POWER While holding down | . ] Power ON 4 This operation changes Patch Numbers 11 to 16 (See p. 17.) to the factory presets. Numbers 17 to 88 will not be affected. 10 muiving I v MH)Uini iviu^imiu »*UU\ r-iO r\ UUUI SU I When using the TR-505 as the sound source Step 1 Connect the pads (PD —11/21/31), the PM —16, the sound source (TR —505), the amplifier, the speakers, and so on. (See p. 8) Step 2 Turn the PM —16 and the other connected devices ON. Step 3 Set the MIDI Receive Channel of the TR —505 to channel 10. Set the correspondence between the sound source and the key number (note number) to the factory preset positions. (See p.39 —40 of the TR —505 Owner’s Manual.) Step 4 Put the PM —16 into Play mode. PLAY EDIT ADV mm Step 5 Set all of the Input Levels to LINE/PAD and also set their corresponding sensitivity knobs to their center position. INPUT LINE MIC PAD SENS a 3 <3 s e v B S o 11 15 o 15 IB ^isn as *= so nan (SO ran an fin ran rusn un an SO m BT) i&i 1 ffiQ (✓g o o 0 o o o Q o o 0 0 O 0 o O Roland PM-1B If the Factory Preset has been erased or changed, recall it as explained above in [Recalling the Factory Presets]. Step 6 Press the Bank Button and the Number Buttons as shown in the figure below. Patch Display i i i i Step 7 Hit the pad connected to the PM—16. 1 1 Step 8 Step 9 (Strings) Hitting the pad will cause the sound corresponding to the pad number (the number of the Pad Input Jack to which the pad is conneclcd) to be emitted. Patch 11 (for TR-505) Pad Number (Number of Pad Input Jack) Instrument Note Number 1 Bass Drum 35 3 Snare Drum 38 4 Hi Conga 62 5 Rim Shot 37 6 Low Conga 63 7 Hi Tom 48 8 Mid Tom 45 9 Low Tom 41 Press the Number Button 2. Patch Display Hit the pad connected to the PM —16. This time, the sound source will differ from that of Patch Step ll. Patch 12 (for TR-505) Pad Number (Number of Pad Input Jack) Instrument Note Number 1 Bass Drum 35 3 Snare Drum 38 4 Hi Cowbell 67 5 Timbale 65 6 Low Cowbell 68 7 Crash Cymbal 49 8 Ride Cymbal 51 9 Hand Clap 39 If you would like to change the correspondence between the pad that you want to play and the sound .source or to make a new patch with a different correspondence written into it, read OPERATION I on p.17 to 38. ■ When Using the TR-707 as the sound source Step 1 Connect the pads (PD — 11/21/31), the PM —16. the sound source (TR —707), the amplifier, the speakers, and so on. (See p. 8.) Step 2 Turn the PM—16 and the other connected devices ON. Step 3 Set the MIDI Receive Channel of the TR —707 to channel 10 Set the correspondence between the sound source and the key number (note number) to the factory preset position. (See p.44 of the TR —707 Owner’s Manual.) Step 4 Put the PM —16 into Play mode. PLAY EDIT ADV ann Step 5 Set all of the Input Levels to LINE/PAD and also set their corresponding sensitivity knobs to their center position. INPUT LINE MIC PAD SENS 1 a 3 / '-/ h - Hit the pad connected to the PM —16. This time, the sound source will differ from that of Patch 13. Patch 14 (for TR-707) Pad Number (Number of Pad Input Jack) Instrument Note Number 1 Bass Drum 36 3 Snare Drum 40 4 Hi Tom 48 5 Mid Tom 45 6 Low To...