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It is impossible to illustrate the unlimited number of setups available to you, but this section gives you an idea of the flexibility of the MC monitor mixing console. Finally, the last four sections of the manual supply you with full specifications, block diagram and level diagram. Serious study of these sections will answer many of your signal routing questions and enable you to use this unit to its full capabilities. Your Yamaha MC monitor mixing console should provide you with years of trouble-free service, and satisfy your requirements in the widest possible variety of applications, and is designed to be fully compatible with all professional equipment, ment. CONTENTS INTRODUCTION..... .....................2 FRONT PANEL OPERATIONS: INPUT SECTION.........................3 AUX IN & MASTER OUT SECTIONS...........5 CUE/PHONES OUT, COMM IN & AUX OUT SECTIONS......................7 TALKBACK SECTION..................... 8 VU METER SECTION .....................9 REAR PANEL CONNECTIONS.................9 INSTALLATION.......................... 11 OPERATING TIPS......................... 12 SYSTEM EXAMPLES....................... 14 BLOCK DIAGRAM ......................... 16 LEVEL DIAGRAM................ ........ 17 INPUT/OUTPUT SPECIFICATIONS............. 18 SPECIFICATIONS........... ............. 19 INTRODUCTION The Yamaha MC1608M/2408M Monitor Mixing Consoles are versatile, portable, and reliable. They are designed to provide flexible, efficient stage monitoring for performing musicians. The ability to be able to hear his own performance blended with an individually balanced mix of his fellow musicians gives a performer the opportunity to concentrate on his art totally, and these units are created to give exactly this engineer, with their fully professional compatibility, uncom-' promising electronic performance, and highly versatile control capabilities. The mixing console you now own offers eight different monitor mixes, via eight busses controlled by compact rotary controls. Two auxiliary channels may be used for a variety of purposes — patching in echo or signal processing units, feeding a tape deck in order to record a show, two additional outputs, or providing monitor mixes for the operator, stage manager, etc. Insert patch points on all input channels and out busses means that you can, for example, compress an individual vocalist, or use a graphic EQ on each mix, to get maximum levels without feedback. Judicious equalizing with the three band EQ and high-pass filter will also greatly assist in eliminating unwanted noise, harmonics, wind noise, or microphone popping. The following text contains many similar comments in reference to each feature, but we encourage you to use your own creativity to it’s fullest, in discovering new ways of using your console. Most of the features on Yamaha MC mixing consoles are designed to be multi-purpose, and this console can function as the center of an almost unlimited rjumber of system configurations, to fulfill your specific needs. You may well find, after using your MC monitor mixing console for a while, that there is a simpler, more economical way of connecting the unit into your system. This would certainly time, for example, if you are on a hectic touring sche- And, if needed, your MC1608M/2408M can be more than just a monitor mixing console. This unit can function efficiently in many different mixing situations. No matter how experienced you are, your new MC monitor mixing console gives you the opportunity to take mixing techniques a significant step further — to where mixing is transformed from a skilled craft — to a creative art. *FOR QUICK REFERENCE, THE FRONT PANEL OPERATION SECTIONS ARE ORGANIZED ACCORDING TO THE FOLLOWING DIAGRAM * The explanations in this manual are organized into sections corresponding to the diagram below. CUE/PHONES OUT, COMM IN & AUX OUT VU METER SECTION SECTIONS (P. 7) (P. 3) OUT SECTIONS (P. 5) FRONT PANEL OPERATION INPUT SECTION O Phase Reverse switch This switch reverses the phase of the XLR connectors. In the normal position (switch up), pin 2 is positive (hot), and pin 3 is negative (cold), and input and output signals are the same. Reverse phase by depressing this button, making pin 2 negative (cold) and pin 3 positive (hot). Out-ofphase signals are often caused by differing wiring configurations in microphone or mixing console cables, especially due to differing national standards. 0 PAD switch, GAIN control and PEAK LED These offer complete control over the input sensitivity. The gain control continuously adjusts the sensitivity. of the transformerless head amplifier between —20 & —60 dB. If this is insufficient, in the case of particularly high signal levels, depressing the pad switch will insert a 20dB attenuator before the head amplifier. The red LED peak indicator lights whenever the post-EQ, pre-fader signal comes within 3dB of clipping, warning the operator of impending channel overload. ...
Ce manuel est également adapté pour les modèles :Instruments de musique - MC2408M (1.87 mb)