Évaluations - 1, GPA: 5
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Facilité d'utilisation
. . Rear Panel Trans-Impedance Power Attenuator K. OVERDRIVE ON-OFF—Press IN to engage the Overdrive circuit as indicated by the LED. See Footswitc h {Z}. OVERDRIVE Off OVERDRIVE On L. OVERDRIVE—Adjusts the amount of signal distortion provided by the Overdrive effect. M. TONE—Adjusts the Overdrive tone characteristics. N. LEVEL—Adjusts the Overdrive volume output, useful for boosting gain to generate additional tube distortion. O. TRANS-IMPEDANCE POWER ATTENUATOR—When set to FULL VOLUME, the attenuator circuit is bypassed allowing the maximum output from the tube amplifier. When set to SILENT, the speaker is disabled, but HEADPHONE and LINE OUT outputs may be used. At any setting beside FULL VOLUME (including SILENT) the power attenuation circuit controls the output loudness of the speaker, while preserving the tube amp + speaker “feel” and dynamics achieved through amplifier volume and playing intensity. (US PATENT # 6,816,009) P. fuse —Protects the amplifier from electrical faults. Only replace a blown fuse with the type and rating specified on the rear panel of your amplifier. Q. IEC Power input socket —Connect to a grounded outlet using the supplied power cord in accordance with the voltage and frequency ratings specified on the rear panel of your amplifier. R. power —Turns the Princeton Recording-Amp ON-OFF. S. SPEAKER OUTPUT—Connection for the speaker. CAUTION: An 8. speaker must always be connected when the amplifier is ON or damage may occur. T. HEADPHONE— / A speaker-emulated output for use with standard Stereo or Mono headphones. Accepts a standard 1/4" plug. U. LINE OUT—A studio-quality, speaker emulated, balanced XLR output suitable for recording or sound reinforcement applications. V. LINE level —Adjusts the output level of the LINE OUT {U} jack. Use to accommodate the input sensitivity of your connected equipment. W. GROUND LIFT— Press IN to disconnect the LINE OUT {U} ground pin (1) to reduce noise caused by nonstandard wiring. Leave OUT for normal operation. X/Y. SEND / RECEIVE—Effects loop jacks. Connect SEND {X} to your effects input and RETURN {Y} to effects output. Set your effects device level control (if any) as close to –10dBu as possible. Z. footswitch —Connect the included 4-button footswitch using the supplied 5-pin DIN cable to enable remote on-off switching of: OVERDRIVE {K}, COMPRESSOR {H}, FX LOOP {X,Y} and REVERB {F}. NOTE: The footswitch buttons override the corresponding panel controls. Specifications TYPE: PART NUMBERS: POWER REQUIREMENT: POWER AMP OUTPUT: PRE AMP INPUT IMPEDANCE: SENSITIVITY AT FULL POWER: EFFECTS LOOP SEND IMPEDANCE: RETURN IMPEDANCE: LINE OUT SEND IMPEDANCE: FUSES 100V-120V MODELS: 220V-240V MODELS: SPEAKER: FOOTSWITCH: DIMENSIONS HEIGHT: WIDTH: DEPTH: WEIGHT: PR 524 2152000000 (120V, 60hz) 2152001000 (110V, 60hz) TW 2152003000 (240V, 50hz) AUS 2152004000 (230V, 50hz) UK 2152005000 (220V, 50hz) ARG 2152006000 (230V, 50hz) EUR 2152007000 (100V, 50hz) JPN 200W 10W into 8. @ <5% ThD @ 1khz (15W into 8. @ 10% ThD) 1M. (Input 1) 136k. (Input 2) 20mV 1k. 10k. 3.3k. F5A L, 250V (0037588000) F2.5A L, 250V (0020795000) 8., 10", Jensen C-10R (P/N 0069347000) 4-button, Overdrive/Compressor/FX Loop/Reverb (0065911000) 16.5 in (42 cm) 20 in (51 cm) 10.75 in (28 cm) ~45 lb (~21 kg) Product specifications are subject to change without notice. . . . . Panel frontal Princeton® Recording Amp El legendario Fender Princeton® Reverb Amp de los anos 1960 fue disenado originalmente como un amplificador para ensayos – pequeno, ligero y relativamente potente, pero capaz de un grueso sonido a valvulas. En los anos 70 y posteriores, se convirtio en la quintaesencia de los amplificadores de grabacion de estudio para muchos guitarristas que crearon su sonido personal con solo unos pocos pedales de efectos y el micro pegado a un sencillo Princeton. Hoy en dia, los Princeton Reverbs originales son autenticas piezas de coleccionista. Para muchos entusiastas de las grabaciones caseras, el Princeton sigue siendo la mejor opcion para un buen sonido a valvulas en un pequeno espacio. Y asi, este Princeton Recording amp le ofrece el gran sonido y dinamismo del original, junto con algunas funciones perfectas para estudios modernos como un Atenuador de potencia, Saturacion, Compresor y salida de linea XLR. Su robusta plataforma de 15 watios incluso le da salida suficiente como para una pequena actuacion y ensayos. Entre sus caracteristicas cabe destacar: • Previo y etapa de potencia a valvulas y circuito de reverb basado en la Reverb del Princeton de 1965 • 15 watios generados por dos valvulas de salida 6V6 • Una valvula 12AT7 y tres valvulas de previo 12AX7 • Un altavoz Jensen C-10R de 10” para un sonido clasico • Dos efectos de tipo “pedal” conmutables, que pueden ser activados o desactivados de la ruta de senal como quiera: • Saturacion de 3 mandos, basada en los tradicionales sonidos de pedales, que hace que el calido sonido del Princeton llegue “al maximo” • Compresor con dos mandos, basa...