Évaluations - 3, GPA: 3.7
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Facilité d'utilisation
This Manual contains important instructions for setting up and operating your equipment. Please take a few minutes to read the instructions below, specifically section 1 Safety and Environment, carefully before operating the equipment. Please keep the Manual for future reference. Have fun and impress your audience! 1.1 Safety 1.2 Environment 1 Safety and Environment • Please make sure that the piece of equipment your microphone will be connected to fulfills the safety regulations in force in your country and is fitted with a ground lead. • When scrapping the equipment, separate the case, circuit boards, and cables, and dispose of all components in accordance with local waste disposal rules. • The packaging of the equipment is recyclabe. To dispose of the packaging, make sure to use a collection/recycling system provided for that purpose and observe local legislation relating to waste disposal and recycling. C 414 XLS / XLII 2 Description • C 414 XLS or C 414 XLII 2.1 Packing List • SA 60 stand adapter • H 85 shock mount • PF 80 pop screen • W 414X foam windscreen • Original frequency response trace with serial number and production date code • High quality carrying case • 2 x C 414 XLS or C 414 XLII Stero Pairs: • 2 x SA 60 stand adapter • 2 x H 85 shock mounts • 2 x W 414X foam windscreens • 1 x H 50 stereo bar • Original frequency response trace with serial number and production date code • High quality carrying case • Check that the packaging contains all of the components listed for your model. Should anything be missing, please contact your AKG dealer. • For optional accessories, refer to the current AKG catalog or folder, or visit 2.2 Optional Accessories dealer will be glad to help. This large-diaphragm condenser microphone has been designed on the basis of feedback 2.3 C 414 XLS from sound engineers who have used the C 12, C 12A, C 12B, C 414comb, C 414EB-P 48, C 414B-ULS, C 414B-TL II, and C 414B-XLII microphones in recording studios and on stages around the world for years. Using advanced, reliable components that provide more functions in the same space, the C 414 XLS meets the highest professional standards and will withstand the tough handling typically encountered in the recording studio and on stage for many years. The electronic circuitry of the microphone has been redesigned to achieve completely linear transfer characteristics of all electrical parameters. Extremely low self-noise and high headroom add up to a dynamic range of approximately 134 dB (A-weighted) that is far superior to figures quoted for conventional condenser microphones and other studio equipment. A dual-diaphragm transducer allows you to select one of several polar patterns. The diaphragm is made of a plastic foil that is gold-sputtered on one side only to prevent shorting to the back electrode even at extremely high sound pressure levels. The all-metal body adds to the rejection of RF interference so you can use the microphone near transmitter stations, along with wireless microphones or other communications equipment. Unlike earlier versions of the C 414, the C 414 XLS / C 414 XLII provides three separate bidi-2.3.1 Controls rectional pushbuttons for selecting the polar pattern, preattenuation pad, and bass cut filter, each with an LED bar indicating the selected setting. The selectors and indicator LEDs are only active as long as power (48 V phantom power) to the microphone is on. • To select the desired value or polar pattern, press the desired arrow on the appropriate selector once or several times. A green LED above the appropriate value or symbol is lit to indicate the selected setting. To select a different setting after having reached the last position available, press the opposite arrow on the selector. (Pressing the same arrow again will not set the parameter back to its initial position.) C 414 XLS / XLII 2 Description • When you switch phantom power to the microphone off and back on later, the currently selected settings of all three selectors will be restored automatically as soon as you switch phantom power back on. All settings are saved in memory about 500 msecs. after you last pressed any of the three selectors. Thus, your latest settings will be available again even if phantom power ahs been interrupted (e.g., if you disconnected the microphone and connected it again later). Lock Mode: • Live-sound engineers as well as engineers for theater, opera, or musical productions often use the same microphones for the same purposes every night, and may even install some microphones permanently. In Lock Mode, all controls on the microphone are disabled so the settings you selected for a specific application (polar pattern, preattenuation pad, bass cut filter) cannot be changed unintentionally. Locking the Controls: • Press and hold one of the arrows on the polar pattern selector (1) for at least 2 seconds. All controls are disabled and remain disabled even if phantom power has been interrupted (...
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