Évaluations - 2, GPA: 5
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Facilité d'utilisation
When the pedal is pressed, a sound continues even after the key is released. Rear panel (Optional) Kawai F-1 foot pedal (or equivalent) 8 (4) Joystick A SINGLE patch can use up to four separate SOURCEs. This joystick provides real-time control over the volume balance between them. It also provides similar control for the four SECTIONS in a MULTI patch. SOURCE/SECTION 3 SOURCE SECTION 1 Note: The STICK switches this control function ON and OFF. Procedure: (7) Press the 1 STICK \ switch. (2) Press the j +YES | switch for ON and the -NO switch for OFF. (5) CARD slot In addition to the 96 internal tone patches, each optional DC-8 memory card provides storage for 64 SINGLE patches and 32 MULTI patches in blocks E and e (for external). Note: Before storing data on the card, you must first format it for use with the K1II. (See p. 39.) (6) MIDI jacks The three MIDI jacks on the rear panel are your gateway to the world of MIDI music. You can, for example, play your K1II from another keyboard, a Kawai Q-80, or other sequencer, or even another K1I1. i ! STICK I fi ■ STICK CONTROL = 0 F F i. +YES I —ft— STICK CONTROL = В A L К I ; j -NO I A— STICK CONTROL = 0 F F Sample Setups (a) Playing the K1II from a digital piano MIDI OUT г Digital piano 1 MIDI IN K1II (b) Playing the K1II from a sequencer MIDI OUT I Ï MIDI IN Sequencer (Q-80) Kill or computer (c) Playing the K10 from another K1II MIDI OUT !--~ I MIDI IN K1II K111 9 (7) LINK function The K1II LINK function allows you to link up to eight tone patches — SINGLE or MULTI, INTERNAL or EXTERNAL —from the 192 available and then step through the series simply by pressing the LINK switches. This function saves valuable time during a live performance. (See p.38.) Note: The upper right corner of the LCD screen keeps track of the position in the series. For example, LINK:8-7 indicates that the synthesizer is currently using the seventh tone patch of an eight-member series I~ l + Yt:sI value t Ip SINGLE L I N К : 8— 7 I A — 8_1 К e у В e a t 1 4. Look over the construction of SINGLE or MULTI patch. The K1II contains a total of 96 built-in tone patches — sets of complex waveform/parameter combinations. Two-thirds (64) of these are SINGLE patches. Each SINGLE patch is divided into four (or two) SOURCES. Each SOURCE consists of a waveform chosen from the 256 basic waveforms available plus pitch, volume, and various other parameters for modifying it. The remaining 32 tone patches are MULTI patches. Each MULTI patch is divided into eight SECTIONS. Each SECTION consists of a SINGLE patch plus various parameters that tie sound generation to key velocity and keyboard range. In other words, the synthesizer merges four waveforms to produce a SINGLE patch and then merges eight SINGLE patches to form a MULTI patch. Certain built-in tone patches illustrate some of the ways in which you can exploit this capability. (1) Splitting the keyboard. One application would be to split the entire keyboard into various zones, assigning a different SINGLE patch to each zone: BASS to the lower third, PIANO to the middle, and STRINGS to the upper third, for example. The only limit is on the number of zones (max. 8). The K1II otherwise gives you complete freedom to divide the keyboard as you wish. Example: BASS PIANO ELECTRIC STRINGS PIANO (2) Linking sound to velocity. Another way to divide SINGLE patches would be to make the SINGLE patch dependent on the key velocity, the force with which you strike the key: STRINGS for light strokes and BRASS for heavier strokes, for example. Example: STRINGS —* Light strokes BRASS ; —* Heavy strokes 10 ?!!>? (3) Layering sounds. Overlapping SINGLE patches with slightly different tunings or with complementary tones produces a richer, fuller sound Example: •*— SINGLE patches with slightly different tunings (4) Using the K1II as MIDI sound sources. If you assign a different MIDI receive channel to each SINGLE patch in the MULTI patch, the K1II simultaneously performs as eight (or nine, using DRUM SECTION) different MIDI sound sources. Since these can include the K1 II's built-in DRUM SECTION and percussion sounds, a sequencer or other external controller can use a single K1II for everything from rhythm to harmony. Example: MIDI channel 1 STRINGS (5) Playing one tone patch on the K1II keyboard while a MIDI sequencer plays another. (6) Combinations of the above The K1II gives you complete freedom to combine SINGLE patches any way you wish. Example: 11 ?!!>? ?!!>? II. Kin Sound Sources 1. VM Tone Generator The K11I allows you to combine up to four different SOURCES, each with its own frequency, waveform, and envelope. The Kill also supports AM (Ring modulation), allowing you to use the output from one SOURCE to modulate the output from another. (SINGLE PATCH) Block Diagram FREQ WAVE ENV (VELOCITY CURVE) I ^ I ; r Mi I i i i ! I *FR£Q ■! I liiii I! / y AM /...