Évaluations - 3, GPA: 4.7
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Facilité d'utilisation
See the table below in other cases. 8. Press the [EXIT/NO] key or [STOP] button to exit the SETUP mode. The display shows the beginning of the disk with ABS time base. After complete “Digital In ”, “Digital Out ” and “Reference Clock ” settings, execute the basic recording in a similar manner to "Basic analog recording " described earlier. [D . in ?] setting [Cloc k Sel ?] setting Int A uto Wo r d Video SPDIF :Async adat :Async c loc k received fr om W ORD IN Regardless of receiving or not receiving word clock from WORD IN, the recorder is referenced to the internal clock. When the recorder receives correct digital signals, the “DIGIT AL ” indicator lights in When receiving word clock from WORD IN, the recorder automatically synchronizes to the incoming clock, while the “DIGIT AL ”, “EXT ”, and “W ORD ” indicators light in the display. When receiving word clock from WORD IN, the recorder synchronizes to the incoming clock, while the “DIGIT AL ”, “EXT ”, and “W ORD ” indicators light in the display. Available only when installing the optional Model 8346 TC/ SYNC card. If you tr y to select “Video ,” “V oid w/ o 8346 ” is displayed and you cannot select it. See the appendix of the Reference manual for details. no c loc k received fr om W ORD IN the display. When no word clock is received, the recorder is referenced to the internal clock, while the “EXT ” indicator flashes. When no word clock is received, the “EXT ” indicator flashes showing that the recorder cannot be locked. SPDIF :Sync adat :Sync c loc k received fr om W ORD IN Regardless of receiving or not receiving word clock from WORD IN, the recorder synchronizes to the external S/P DIF digital signal. When the recorder receives correct digital signals, the “DIGITAL ” and “EXT ” indicators light in the display. When Digital In is set to a SYNC mode, if you try to select “Clock Sel?” menu, The display will show “Cloc k Sel D .in! ” (indicating that the clock is set to Digital In!) and the recorder ignores your operation. no c loc k received fr om W ORD IN 19 Model D2424LV Quick Operation Guide Multitrack recording using overdubbing Multitrack recording is a term for the series of processes in which you record various sound sources to different tracks and combine them into two mixes (L and R). This recording involves an important process called “overdubbing,” in which you record additional sound sources to different tracks while monitoring the input sound and listening to the recorded sound. The following procedure assumes that you have already recorded a rhythm section using a drum machine on Track 1. Initialize the recorder. 1. Press the [RECORD TRACK] select key of the desired overdubbing track to set it in READY mode. The “ready” track’s indicator (a small square) flashes on the display. 2. Press the [RECORD] button once. The ready tracks enter input monitoring status, and the other tracks enter playback monitoring status. 3. Press the [PLAY] button to play the Program from the beginning. (Rehearsal) Adjust the level of the playback monitoring sound (rhythm sound on Track 1) on the mixer. Play the sound source to overdub and adjust the recording level on the mixer. 4.When you finish rehearsing, locate the top of the Program for the actual take. 5. Press and hold down the [RECORD] button and press the [PLAY] button. (Take) Play the sound source accompanying the Track 1 sound in the same way as during the rehearsal. 6.When you finish overdubbing, stop this unit, locate the top of the Program, and play the overdubbed sound as explained in the “Basic Recording And Playback.” If you are not satisfied with your overdubbing, perform the Undo function and record again. In the same way, overdub the necessary tracks. Ping-pong recording Ping-pong recording is a recording process in which you mix the playback sound of multiple tracks and record the mix on an empty track. Ping-pong recording enables you to use previously-recorded tracks in a new recording. In this way, you can overdub more sound sources using a limited number of tracks. The following procedure explains how to ping-pong record the sound sources recorded on Tracks 1-6 to Tracks 7 and 8. Once you ping-pong record the tracks, you cannot apply effects to the individual tracks. If necessary, apply effects on the mixer prior to ping-pong recording. Initialize the recorder. 1. Set all tracks to the SAFE status. 2. Locate the top of the Program on this recorder. 3. Set the master recorder to REC-STANDBY mode. 4. Play the Program from the beginning and adjust the recording level on the master recorder while adjusting the tonal quality and mix balance of the playback sound from the mixer. (Rehearsal) Adjust the input level on the master recorder so that the STEREO OUT L/R meters on the mixer respond to the same degree as the level meters on the master recorder. 5. Locate the top of the Program. 6. Start recording on the master recorder. (Take) 7. Press the [PLAY] button on this recorder to start playing th...