Évaluations - 4, GPA: 3.5
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Facilité d'utilisation
INPUT - Plug-in connection for your guitar. B. VOLUME - Adjusts the loudness of the Normal channel. C. TREBLE / MIDDLE / BASS - Adjusts the high–, middle– and low–frequency tone of the Normal channel. D. CHANNEL SELECT - OUT Normal channel {B–C} IN Drive channels {E–J} E. DRIVE 1 - Adjusts the distortion level of the Drive 1 channel. F. VOLUME 1 - Adjusts the overall loudness of the Drive 1 channel. G. DRIVE SELECT - Press CHANNEL SELECT {D} in to activate DRIVE SELECT. OUT Drive 1 channel {E–F, J} IN Drive 2 channel {H–I, J} H. DRIVE 2 - Adjusts the distortion level of the Drive 2 channel. I. VOLUME 2 - Adjusts the overall loudness of the Drive 2 channel. J. TREBLE / MID / BASS - Adjusts the high–, middle– and low–frequency tone of the Drive channels. K. TIMBRE - Press repeatedly to select an amp character as indicated by the LEDs. Your selection is stored and automatically activated for each channel (Normal, Drive 1, Drive 2). TIMBRE FILTERS: These pre-set Equalizer curves allow the Dyna–Touch amps to create seven very different voices on each channel. FLAT—Preamp and Power Amp signal without further equalization. BRIGHT—Treble boost, especially effective for brightening the tone of double–coil pickups. DARK—Treble cut, especially effective for traditional Jazz tones with the Normal channel. DEEP—Bass boost, especially effective for beefing up the tone of single–coil pickups. SCOOP—A severe low–mid scoop with bass boost designed for modern distortion tones. SQUAWK—A strong mid peak reminiscent of a partially depressed Wah–Wah pedal; great for distorted solos that need to cut through the mix. ACOUSTIC—Simulates the sound of an acoustic–electric guitar with extreme high treble boost and bass boost; best with the Normal channel. Note: This much Timbre flexibility requires that you use a little common sense! It is possible to get “too much of a good thing,” such as undesirable treble harshness or bass boominess depending on your particular guitar, playing style and knob settings. L. TUNER - Activates the tuner and mutes audio output. Strike a string and the top row of LEDs indicate the nearest note. Sharp/flat notes are indicated by two LEDs; for example, A and B light up to indicate A sharp (B flat). The bottom row of LEDs indicate fine tuning. M. REVERB LEVEL - Adjusts the level of the active Reverb. N. REVERB TYPE - Selects the active Reverb (see next page). O. EFFECTS LEVEL - Adjusts the level of the active effect. P. EFFECTS SELECT - Selects the active effect (see next page). Q. TIME/RATE - Adjusts the interval length / modulation speed of the active effect (see next page). Rear Panel R. POWER SWITCH - Switches the amplifier on / off. S. POWER CORD SOCKET - Connect the included power cord in accordance with the voltage and frequency ratings listed on the rear panel of your amplifier. T. PARALLEL SPEAKER OUTPUTS - Connect a single 8. speaker (internal or external) to the MAIN SPKR jack. Connect an additional 8. speaker (internal or external) to the EXT. SPKR jack. 4. minimum total. Speaker(s) Use Load / Output One 8. speaker MAIN jack 8. / 100W Two 8. speakers both jacks 4. / 160W U. LINE OUT - Connect this XLR output jack to the input of sound reinforcement or recording equipment. V. PRE AMP OUT / POWER AMP IN - Effects Loop - Connect PRE AMP OUT to an effects device input, then connect the effects device output to PWR AMP IN. Multiple Amps - Connect the primary unit’s PRE AMP OUT to the auxiliary unit’s PWR AMP IN. The primary unit is used to control all auxiliary units. Recording or Reinforcement - Connect PRE AMP OUT to the input jack of sound equipment. Use TS (Tip-Sleeve) standard type plugs with these jacks. The PRE AMP OUT signal includes onboard tone shaping and DSP effects processing. W. FOOTSWITCH - Connect the 4-button Fender footswitch (included) at this jack to enable remote switching of CHANNEL SELECT, DRIVE SELECT, EFFECTS and REVERB. When plugged in, the footswitch buttons override the corresponding front panel controls. 7 R RRRRe eeeev vvvve eeeer rrrrb bbbb a aaaan nnnnd dddd E EEEEf fffff ffffe eeeec cccct tttts ssss Reverb T Reverb TReverb Type ypeype Select from 16 variations of 6 Reverb types. Ambient, Room, Hall and Arena create the acoustic ambience of different spaces. Plate is studio Reverb that generates bright timbres yet retains warmth, and Spring is classic Fender spring Reverb. SELECTION DESCRIPTION 1 Smallest Space, Bright AMBIENT 2 Studio 1 Small ROOM 2 Medium 3 Large 1 Small HALL 2 Medium 3 Large 1 Medium ARENA 2 Largest Space 1 Dark PLATE 2 Bright 1 Dark 2 Bright SPRING 3 Surf Dark (less dwell) 4 Surf Bright (more dwell) Stage™ 1000 TYPE: PR 577 PART NUMBER: 2267000030 (120V, 60Hz) US 2367001930 (110V, 60Hz) TW 2367003930 (240V, 50Hz) AUS 2367004930 (230V, 50Hz) UK 2367005930 (220V, 50Hz) ARG 2367006930 (230V, 50Hz) EUR 2367007930 (100V, 50Hz) JPN 2367009930 (220V, 60Hz) ROK POWER REQUIREMENTS: 400W POWER OUTPUT: 100W RMS into 8. @ 5%THD (with extension speaker): 160W R...
Ce manuel est également adapté pour les modèles :Instruments de musique - Stage 1000 (3.72 mb)