Évaluations - 1, GPA: 4
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Facilité d'utilisation
The contrast between weak/strong is greatest in the middle range, allowing for more vibrancy. Same as 07, except notes within the weaker range can be sounded louder more easily. A curve with very little change between weak/strong in the middle range. Volume Volume « Press REVERB 4 or REVERB ► to make the selection. 21 • Changing the Tuning Curve — Stretch Generally, pianos are tuned so that, in comparison with true equal temperament, the upper range is tuned slightly higher in pitch, and the lower range is tuned slightly lower. This is known as "Stretch Tuning." By changing the Tuning Curve, you can enjoy the minute variations that occur in the way chords resound. You should try them all to find the curve that you like best. [Acceptable Values] 01 — 03 01 A natural tuning curve, with most undulations suppressed. 02 A tuning curve which emphasizes the lower range somewhat. This compensates for the tendency to perceive the lower range as being higher in pitch. 03 This tuning curve places emphasis on both the lower and upper ranges. €> Press CHORUS -M or CHORUS ► to make the selection. — # Transposing the Sub-Instrument — Sub-Instrument Key Shift This function allows you to transpose (in semitone units) the pitch of the Sub-Instrument, so that it is different from that of the main Instrument. If you have the Split Point set to "oFF," this transposition will be made relative to the pitch of the Instrument, or applied in addition to the current transposed pitch value of the Instrument if it has already been transposed once using "Key Shift." However, if set to something other than "oFF," this transposition occurs independently, irrespective of the pitch of the Instrument. [Acceptable Values] -24 to 0, 0 — 24 With each increase (decrease) by one in the value, the pitch is raised (lowered) by one semitone. 12 is thus equivalent to an octave, and 24 is two octaves. «> Press KEY SHIFT or KEY SHIFT ► to perform the adjustment. • Splitting Notes to be Played by Instrument/Sub-Instrument — Split Point This feature allows you to split the keyboard into two ranges (Upper and Lower) at a specified boundary note (Split Point). You can then have the main Instrument played within one range, and the Sub-Instrument in the other. [Acceptable Values] oFF, UC2 — UC.7, LC2 — LC.7 oFF No split point is set. Both the main Instrument and Sub-Instrument sound simultaneously (dual). U The Upper notes sound the main Instrument, while the Lower notes play the Sub-Instrument. The note set as the Split Point sounds using the main Instrument sound. L The Upper notes sound the Sub-Instrument, while the Lower notes play the main Instrument. The note set as the Split Point sounds using the Sub-Instrument sound. The Split Point can be set anywhere within the range of C2 through C#7. In the display, sharps are indicated with a dot. Note C C#(Dt>) D D#(S) E F F#(Gl) G G#(AI.) A A#(») B Display c c. d d E F F r u G H R b C4 I With a Split Point of UC4 j -1-►- Lower (Sub-Instrument) 1 Upper (Instrument) • With a Split Point of LF4 Fj -1- Lower (Instrument) 1 Upper (Sub-Instrument) • With the Split Point at OFF II Ill ! ^- HIM H III 1II1II -►- Instrument Sub-Instrument 23 «> Press MIDI CH or MIDI CH ► to make the selection. * If a Split Point setting is active while the Sub-Instrument is turned OFF, notes in the range that the Sub-Instrument should play will instead be silent. SYSTEM PARAMETERS The System Parameters provide for settings of the standard pitch, the type of reverb and chorus to be used, and other settings that are common to the entire unit. ■ Making Settings for the System Parameters ........................ To make settings for the parameters included in the System Parameters, press the Parameter Croup button and confirm that its indicator is flashing. The various parameters can be adjusted using the 8 sets of buttons. * Because settings for the System Parameters are common to the P-55 as a whole, you cannot select specific Parts for which you wish to set parameters. * In addition to the system parameters explained in this section, there are also parameters which can be adjusted using MIDI Exclusive data (p. 38). U Values for the Parameters/Changing Their Settings •••••••••••••••••• • Fine-Tuning the Pitch — Tune This function allow you to adjust the standard pitch of the P-55. This conveniently allows you to have this unit match the pitch of some other musical instrument. [Acceptable Values] 15.3 — 40.0 — 66.2 The value is equivalent to the frequency of the A4 note. Since the hundreds digit (4) is abbreviated in the display, the actual frequencies obtainable are: 415.3 Hz-440.0 Hz-466.2 Hz. When the Baroque Pitch function is ON (explained in the following), or a setting for Key Shift other than 0 is in effect, the actual pitch will be different from the value shown. Press PART or PART ► and adjust it. • Playing Using Baroque Pitch — Baroque Pitch In modern...