There are dedicated inline compressors on the last four mono channels of each ProFX mixer and a Channel Insert jack for connecting an external processor on the remaining mono channels. Additionally, the ProFX Series mixers include Mackie’s classic high-headroom, low-noise mic preamps, integrated effects and a precision 7-band graphic EQ for tuning the room or the monitors. The 32-bit RMFX™ processor has 16 “Gig-Ready” effects, including reverbs, choruses and delays. ProFX allows stereo playbac

TheXLRoutputsarewiredasfollows: Pin 1 = Shield or ground Pin 2 = Positive (+ or hot) Pin 3 = Negative (– or cold) Like the inputs, the routing for the 32 returns on the DS3232 is configured by the mixing console. Generally, this will be done in the Setup window for the expansion cards where the U100 Network card is installed. In the case of the TT24, there is no configuration required for the returns. Rear Panel All the connection points (other than the power cord) are located on the front panel

The mic/line channels feature Mackie’s XDR2 mic preamps, which deliver pure, clean, studio-grade sound with an incredibly wide frequency range, especially in the low end, and even at extremely high gain settings. They offer incredibly low noise, amazing RFI rejection, and 60dB of available gain per channel. Each mic/line channel also has phantom power, an input Gain control, a Hi-Z instrument switch, a sharp 18 dB/octave, 100 Hz Low Cut filter, 2-band EQ, stereo pan switch and a Level control. T

Each mono mic/line channel has an input Gain control with 45 dB of gain, a sharp 18 dB/octave, 100 Hz Low Cut filter, a 3-band EQ with sweepable midrange, two Aux sends with pre/post switch and two EFX sends, Pan, Mute, Solo, assign switches, a 60mm fader and a Channel Insert jack for connecting an external processor. The stereo line-in channels have all the same features as the mic/line channels except no low cut filter, an input Gain control with 40 dB of gain, 4-band fixed frequency EQ, and n

The FireWire output from the computer may be brought back straight into a channel strip for easy mix integration. FireWire aggregation allows multiple Onyx 1220i mixers to be connected. Each mono channel has an Onyx mic preamp, phantom power, an input Gain control with 60 dB of gain, a sharp 18 dB/octave, 75 Hz Low Cut filter, Pan, Mute, Solo, a 60mm fader and a Channel Insert jack for connecting an external processor. There are built-in DIs on the first two channels for direct connection of gui

Professional Mic/Line Mixers with FX and USB I/O ProFX16 and ProFX22 O W N E R ’ S M A N U A L 48V MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE OL 4 6 3 10 15 7 10 20 30 0 2 0dB = 0dBu LEVEL SET RUDE SOLO MAIN METERS L R MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC GAIN GAIN -20 +20 GAIN (MONO) LINE IN 9 LINE IN 10 L R (MONO) L R (MONO) BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL BAL /UNBAL

Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with dry cloth. 7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A p

That said, the industry has changed since its introduction (and later revisions) and Mackie has seen the need to update this venerable design. Enter the new Mackie Onyx series, with a new microphone preamplifier and equalizer design and a FireWire recording interface option. Does Mackie’s new mixer live up to its esteemed predecessor? Features The Mackie Onyx 1640 mixer ($1,649) has 16 mono channels with new Onyx microphone preamps, four busses, six aux sends, four-band equalization, as well a

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