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At this point, the system should be well into feedback, but the room volume will remain constant due to the action of the limiter. You can listen to the feedback at any level you like by simply varying the CL-50E’s OUTPUT volume control, although below a certain monitoring level, the feedback will stop. 4. Try to determine the feedback frequency, and then equalize it by adjusting the center frequency, bandwidth, and boost/cut controls of your parametric equalizer. (Note: a graphic equalizer can

This safety margin is known as headroom, and may range from 10 to 25 dB. Lowering our standard operating level to leave ourselves some headroom helps prevent distortion, but at the same time it moves our average program level closer to the noise floor, thereby compromising signal-to-noise performance. It becomes apparent that to get the most out of an audio system, you have to keep your standard operating level as high as possible without risking distortion. CLIPPING Significant Distortion Occ

INC. TABLE OF CONTEMTS Introduction..................................................2 If You Are In A Hurry.....................................2 Mechanical Installation.................................3 Wiring............................................................3 Stereo Tie, Detector Patch, Alternatives for Sound System Installations Controls And Indicators...............................5 Gain, Ratio, Attack Time, Release Time, Output Level, Bypass Switch, Threshold/Gain Reduction

There are 3 different effect level and OFF to turn the effect off. Input Selecting Button Key Control Button Effect Level Control Button Master Microphone Volume Master Music Volume Control Menu Button Arrow Keys to navigate in Menu 5 Front Panel View [1]Microphone Volume Control- for #1 & #A(rear) [2]Microphone Volume Control- for #2 & #B(rear) [3]Memory- Use these buttons to recall preset effect settings, to save preferred effect settings, or to reset to default settings. [4]Music Menu- To sel

Ya que las lineas seudo-balanceadas no conducen una senal verdaderamente diferencial, poseen una impedancia de linea equivalente en ambas lineas (+) y (-). Esto permite que un cable largo sea conectado desde el crossover sin comprometer al rechazo de modo comun de ruido indeseado. Para contar con un headroom maximo, termine las salidas en cargas de 600 ohms o superiores. 6.5 Salida Monoaural de Graves Los modelos XR2001, y XR4001 de Ashly cuentan con un conector jack adicional marcado como MONO

El nivel maximo de entrada es de +23dBu. La “U” marcada en la posicion de las 12:00 (directamente arriba) indica “ganancia unitaria” o “unity gain” de la seccion de entrada. Recomendamos colocar este control en “unity” y controlar los niveles del sistema ya sea en las etapas anteriores al crossover o con los controles de nivel de salida. 5.3 Frecuencia de Cruce Este control infinitamente variable le permite seleccionar un punto de cruce apropiado para sus altavoces. El girar esta perilla en el s

14580-9103 Tel. (716) 872-0010 Llame sin costo: (800) 828-6308 Fax: (716) 872-0739 Internet: Manual de Operacion Crossovers Electronicos XR1001, XR2001, y XR4001 Tabla de Contenido 1 INTRODUCCION .......................................................................................... 3 2 DESEMPACADO........................................................................................... 3 3 REQUERIMIENTOS DE AC.......................................................................... 4 4 CUB

Ashly shly, the first professionalboundaries Simple, to release a MOS-FETpoweramplifier,MOS-FETamplifiersuse a complemenis proudto introducethe next design. tary, all-discrete Thedriverispure generation,the FET-I500 class-A and, because it has only two Series. During its first littlecompensation stages,requires allow- decade, our original FET ing both speed and linearity with no Seriesbecamea standard for distortion. crossover-notch applicationsrequiringtheutmost in sonic Theoutput stage consist

it shall deliver at least 550 watts into m 8 ohm load. The amplifier shall be immune to damage from shorted. open, or mismatched loads. The amplifier shall have a gain of 29dB t .5dB per channel and an input sensitiviqr of 1.3 Volts ! 20/o lor lull rated output. Frequency response shall be 10Hz Io 2OkHz t .5d8. It shall be stable into any load including pure capacitors and inductors. Hum and noise shall be at least 110d8 below full output and SMPTE intermodulation distoftion shall be less than .