The audio mixer shall have a rack-mountable frame which accommodates 16 stereo input channels, 2 main output channels and 2 alternate output channels. Each input channel shall be capable of accepting either stereo or monaural signals, and shall be fitted with stereo level, equalization, balance, solo, muting and auxiliary send controls, level-indicating (-20) LEDs and overload (O/L) LEDs. Input channels 1 through 4 shall each be fitted with left and right insert jacks. The main output channels s

Globally switch- able phantom power shall be available at the microphone inputs. 15. MIXER EXPANDER FUNCTION. The mixer buses shall accommodate up to 48 additional stereo input channels when connected to up to 3 Mackie Designs LM-3204E Expander units. The mixer shall be fitted with a 20-pin IDC-type “expander input” connector mounted on the rear of the mixer frame, which shall carry all audio and control signals Impedances. Mic preamp 21. INPUT CHANNEL input, 2.5 kW . All other in-CONNECTIONS. E

The mic/line channels feature Mackie’s XDR2 mic preamps, which deliver pure, clean, studio-grade sound with an incredibly wide frequency range, especially in the low end, and even at extremely high gain settings. They offer incredibly low noise, amazing RFI rejection, and 60dB of available gain per channel. Each mic/line channel also has phantom power, an input Gain control, a Hi-Z instrument switch, a sharp 18 dB/octave, 100 Hz Low Cut filter, 2-band EQ, stereo pan switch and a Level control. T

SP2400 Dual-Channel Program Controller/Amplifier Instruction Manual SP2400 MUSIC CONTROLLER INPUTS INPUTS 3 0 3 6 9 15 30 55 3 0 3 6 9 15 30 55 A B ONOVERLOAD STATUS POWERCOMM PORT ZONE A MASTER VOLUME ZONE B MASTER VOLUME OFF 1 2 3 4 OFF 1 2 3 4 12345678 1234123412345678 1 2 3 G + – G + –AG B AG B 0 I PHANTOM GAIN +40dB MIC/LINE INPUT B PROGRAM EQ 1234 12345678 1 2 3 G + – G + – 0 I PHANTOM GAIN +40dB MIC/LINE INPUT A PROGRAM EQ 1234 PARALLEL INPUTS CONTROL ZONE A ZONE B GROUND ALL CALL GAIN +4

By downloading and using the Software, you are agreeing to be bound by the terms of this license. Software as used herein means all computer code (both source and object) including, but not limited to, all interfaces, navigational devices, search engines, databases, menus, menu structures or arrangements, drivers, development tools, icons, operational instructions, scripts, commands, and syntax, whether created, or licensed from third parties by LOUD Technologies Inc., including all associated d

Each mono mic/line channel has an input Gain control with 45 dB of gain, a sharp 18 dB/octave, 100 Hz Low Cut filter, a 3-band EQ with sweepable midrange, two Aux sends with pre/post switch and two EFX sends, Pan, Mute, Solo, assign switches, a 60mm fader and a Channel Insert jack for connecting an external processor. The stereo line-in channels have all the same features as the mic/line channels except no low cut filter, an input Gain control with 40 dB of gain, 4-band fixed frequency EQ, and n

With its multiple input/ output configurations, true 4-bus architecture, 6 aux sends, and extensive routing capabilities, it can be used in a variety of live sound and recording applications. Its sturdy steel construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60 mm faders with ultra-tight lip seals for keeping out dust and other contaminants. Impact-resistant knobs are mounted so they “ride” just above the steel chassis. ■ The SR24^4-VLZ PRO has 20 mono mic/line

TheXLRoutputsarewiredasfollows: Pin 1 = Shield or ground Pin 2 = Positive (+ or hot) Pin 3 = Negative (– or cold) Like the inputs, the routing for the 32 returns on the DS3232 is configured by the mixing console. Generally, this will be done in the Setup window for the expansion cards where the U100 Network card is installed. In the case of the TT24, there is no configuration required for the returns. Rear Panel All the connection points (other than the power cord) are located on the front panel